a mahogany tilt-top candle stand; a restrained version of a typical Baltimore
form; the double reeded top edge, the
baluster and urn turning of the shaft, and the Baltimore “S”
form legs are all standard attributes of this city; the heavy chamfering
of the pillar base between the legs can be seen on a dining table strongly
attributed to Edward Priestly (see Alexandra Kirtley’s
essay on Priestly in American
Furniture, 2000, by The Chipstone Foundation)